Tutto il Mondo Serra

Orchestral Tuning
Soprano, Double Bass & String Orchestra
Composer: Giovanni Bottesini

Product code:

RMD1452
Publisher:

£12.00

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Description
Tutto il Mondo Serra is a transcription of Frederic Chopin’s Étude in C sharp minor Op.25, No.7, originally for solo piano, which has also been transcribed by many others for different instrumental combinations. The words are by an unknown author and but are unlikely to be by Bottesini. Tutto il Mondo Serra is a work to test both the technical and musical prowess of any bassist and uses the entire range of the double bass. Both soloists are equal partners, with a gently rhythmic accompaniment which creates a magical and evocative work, bringing two great 19th-century virtuosi together in one piece – Chopin and Bottesini. Three Impressions is a colourful and accessible trio of pieces for three double basses. Playable as a suite, singly or in any order, these attractive and engaging pieces are ideal for the progressing bass and ideal for any audience or occasion. It has been said that music is one of the oldest forms of communication, that it can even bridge boundaries of time and culture to share thoughts or emotions. If we were to accept the probability these several little snippets, these three trios, project a wordless dialogue, we might further imagine in this shared reflection a story of sorts being told – such as: We hear in the old adage that, “Two’s Company, Three’s a Crowd”, and though we must say there are moments when one on one is best, there is nonetheless a bit of unkindness in that attitude. The trio entitled “Three’s No Crowd”, with its awkward 5/4 meter and edgy accompaniment (not to mention the need for three colleagues to perform it), suggests some degree of discomfort with that sentiment. In the quiet aloneness of “Soliloquy” the human need for balance is considered, that one must find solace in moments of solitude, but without the camaraderie of our tribe we will not feel ourselves complete – and so we close with the thought that there also are those moments when we are “Better Together”. Three Impressions was commissioned by David Heyes for 40 @ 40, a project to commission forty new double bass pieces to celebrate Recital Music’s 40th birthday in 2026.
Description
Tutto il Mondo Serra is a transcription of Frederic Chopin’s Étude in C sharp minor Op.25, No.7, originally for solo piano, which has also been transcribed by many others for different instrumental combinations. The words are by an unknown author and but are unlikely to be by Bottesini. Tutto il Mondo Serra is a work to test both the technical and musical prowess of any bassist and uses the entire range of the double bass. Both soloists are equal partners, with a gently rhythmic accompaniment which creates a magical and evocative work, bringing two great 19th-century virtuosi together in one piece – Chopin and Bottesini. Three Impressions is a colourful and accessible trio of pieces for three double basses. Playable as a suite, singly or in any order, these attractive and engaging pieces are ideal for the progressing bass and ideal for any audience or occasion. It has been said that music is one of the oldest forms of communication, that it can even bridge boundaries of time and culture to share thoughts or emotions. If we were to accept the probability these several little snippets, these three trios, project a wordless dialogue, we might further imagine in this shared reflection a story of sorts being told – such as: We hear in the old adage that, “Two’s Company, Three’s a Crowd”, and though we must say there are moments when one on one is best, there is nonetheless a bit of unkindness in that attitude. The trio entitled “Three’s No Crowd”, with its awkward 5/4 meter and edgy accompaniment (not to mention the need for three colleagues to perform it), suggests some degree of discomfort with that sentiment. In the quiet aloneness of “Soliloquy” the human need for balance is considered, that one must find solace in moments of solitude, but without the camaraderie of our tribe we will not feel ourselves complete – and so we close with the thought that there also are those moments when we are “Better Together”. Three Impressions was commissioned by David Heyes for 40 @ 40, a project to commission forty new double bass pieces to celebrate Recital Music’s 40th birthday in 2026.
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More Info

ArrangerDavid Heyes
OrchestrationSoprano, Double Bass & String Orchestra
Publication DateFeb-24

Contents

About the Composer

Giovanni Bottesini (1821-1889) was the greatest double bass virtuoso of the 19th- century and many of his compositions for double bass are still at the heart of the solo repertoire today. He spent much of his life in the opera house, as conductor and composer, and his music is inspired by the lyrical, cantabile, and virtuosic pyrotechnics of 19th-century Italian opera. Bottesini was known as ‘the Paganini of the double bass’ and was one of the greatest musical superstars of his day.

About the Arranger

David Heyes (b.1960) studied double bass with Laurence Gray and Bronwen Naish, later at the Royal College of Music in London, and completed his post-graduate studies in Prague with František Pošta (Principal Bass, Czech Philharmonic Orchestra). He has given recitals and masterclasses in 20 countries over the past few years and has been a juror at a number of international competitions, three times as chairman. David’s collaborative work gained him a prestigious award from the David Walter Charitable Trust of New York for his pioneering activities as a soloist, teacher, publisher, and commissioner of new music for double bass and he works with composers throughout the world to expand the double bass repertoire by commissioning new music and by rediscovering forgotten ones. Since 1983 more than 700 works have been written for him, music from one to twenty basses and from beginner to virtuoso, and he has premiered ten contemporary concertos with orchestra. David began to compose in 2013 and has had music performed and recorded in 29 countries across five continents. He is a D’Addario Performing Artist and has recently commissioned a solo double bass from British master-luthier Martin Penning.

About the Editor